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Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Look at 90s Rave Culture

Helmed by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Music Video Sensibility

There is only one important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

Game is in UK and Irish theaters from 17 November.

Written by

Anthony Sparks

A digital culture analyst and freelance writer based in London, covering emerging trends and their impact on modern society.

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